On June 17, 2013, the PromaxBDA conference kicked off with an Elite Party thrown by 99 Tigers, Univision and Oishi Creative. Guests took an elevator to the 15th floor Perch Restaurant in downtown LA to enjoy cocktails, tasty food offerings, and mingling galore. Then, without notice, a time portal from the future opened and everyone’s lives changed forever. Technotronic Jamface, the world’s most futuristic band from the future, stepped through the portal and made attendees hear and feel things they’d never heard or felt before. The band, consisting of Microphone J Fox (Hype Man) Francis Scott Keyboard (Keyboard, Guitar, Vocals) Charlize Theremin (Theremin, Glockenspiel) and Bongo Starr (Bongos), performed four original songs, enrapturing the crowd with a magical spell of music. Attendees reportedly said, “My life has changed forever” and “I’m going to go home and destroy all my cassette tapes because after this all other music sounds like garbage.” When their set ended, Technotronic Jamface stepped back through the time portal to their home, 18 months in the future. Will they ever be seen or heard from again? Attend the next 99 Tigers event and you’ll see for yourself. In the meantime you can see them in action here:
New Tiger on Board
99 Tigers is proud to announce that comedy director/writer Todd Berger has joined our team.
Todd hails from New Orleans and has been making movies since age 11 (Dick Tracy vs. Dr. Bubbles, in which he also starred). His first feature, The Scenesters, played over 30 film festivals in 2010 and won Most Interesting Film at the Slamdance Film Festival. His feature-length documentary Don’t Eat The Baby: Adventures at post-Katrina Mardi Gras played on the final night of the 2007 New Orleans Film Festival. His most recent film, It’s A Disaster, had its world premiere at the Los Angeles Film Festival and will be released later this year. Todd works as a screenwriter and actor in Los Angeles, with scripts currently in development at MGM, DreamWorks Animation, Sony Pictures, Jim Henson Productions, and The Disney Channel.
Here’s a review of his recent film from the Guardian:
Los Angeles Film Festival: It’s a Disaster is a triumph
Todd Berger’s comedy drama about four couples spending their last night on earth together deserves a wide audience
At the after-party for the Los Angeles Film Festival’s premiere of Todd Berger’s comedy drama It’s a Disaster at the Hotel Figeuroa, the blue drink tickets are being handed over the bar faster than you can say “not another apocalyptic couples brunch movie.” Around the pool, actor David Cross is being asked for possibly the 100th time if there’s going to an Arrested Development film. “We were supposed to shoot in the next few days,” he’d told the audience at the post-screening Q&A. “But I have yet to see a script or a contract.” So that’s that sorted. For now.
It’s a Disaster is an absolute gem of a doomsday movie about four couples who meet for brunch and find themselves in the middle of a chemical warfare attack, coping with their last few hours as best they can. Julia Stiles and America Ferrera star alongside Cross, but the project was born out of the mind of Berger, and brought to life with the help of producers Kevin Brennan, Jeff Grace and Blaise Miller, who also star. Collectively known as the comedy troup the Vacationeers (“Although we don’t really do that anymore,” says Grace), their previous movie, The Scenesters, is on its way to cult status. If there’s any justice in the world, It’s a Disaster will find an even bigger audience. “But we’re still looking for a distributor,” said Berger. “How much cash do you have on you?”
Berger says he was inspired by watching George A Romero’s Night of the Living Dead, but felt that while zombies “are kind of done,” he could write a strong piece where a group of people are contained in one small space. “I liked the idea of a bunch of people being forced to stay inside the house, because you never know when there’s going to be an earthquake or terrorist attack,” he said. He added that the cast suffered their own emotional pain as the movie was shot during the hottest two weeks in recent Californian history. “We had to turn the air-con off because it made so much noise. It was insane.”
1990 NBC Promo Break
http://vimeo.com/35702481
Posted by Glenn Lazzaro for his series “Adventures in Television”
Several of the spots in this promo break came from the edit rooms at National Video Center. NBC producers Tim Miller and Don Duncan usually had one or two rooms going at any given time in those days. I worked on the “Real Life with Jane Pauley” promo in this break. As a bonus, I also got my first chance to shoot film.
Tim and Don had hired a documentary film crew to shoot “real-life scenes” of America for Pauley’s show open. For the promo, they wanted to intercut the open with an interview with Jane Pauley. The crew shot in Washington, Baltimore, Philadelphia and New York along the Amtrak train line. (The railroad tracks became part of the title sequence.) As we cut the show open, Don felt there weren’t enough “Middle America” scenes, since most of the footage looked urban.
I was heading to the Catskills for a vacation, so I volunteered to shoot some footage with a 1956 16mm Bolex camera I’d just bought at a garage sale. The cinematographer told me which film stock to buy and which filters would match his footage. I kept the camera with me at all times, shooting wherever I happened to be with my kids: farms, baseball games, front porches, a dude ranch. I didn’t really know how to shoot; it was the first time I’d used the camera. Luckily our film style was cinema verite, so my grainy footage fit right in. I shot a lot of footage of my kids, but for some reason they never made the cut.
BONUS! My son found a spot with him as a 4 year old prominently in the beginning. And yes, the opening chords are from Rod Stewart’s Maggie May.
http://vimeo.com/45262340
Bravo “Top Chef Texas” Tease
Posted by Glenn Lazzaro for his series “Adventures in Television”
July 11, 2011, Dallas Texas
Throughout the past seasons of “Top Chef”, Padma Lakshmi has eaten apples, oranges, cake, whipped cream, chocolate, watermelons and tomatoes for the Promos. And she has done it really, really well. So when it was time to shoot the promos for “Top Chef Texas” Amy Troiano, VP of On Air Promotion, Trez Thomas VP Brand strategy, Creative Director Justin Reichman and Producer Elizabeth Massip all agreed that we would shoot Padma eating an iconic Texas food for the Tease Spot. The people in Texas take their Barbeque very seriously so we had to make sure we did it right. Barbequed Ribs were of course our first choice but we had other options as well.-the big three of Texas Barbecue: Pulled pork, Brisket and Ribs were all considered. But one thing clinched the deal: while looking for reference images for the creative brief, Elizabeth did a Google Image Search for “eating ribs.” The very first hit was Padma Lakshmi eating ribs.
On the shoot day Padma did what she always does best. She made Texas Ribs look better than they ever looked.
INXS – Beautiful Girl
Posted by Glenn Lazzaro for his series “Adventures in Television”
http://vimeo.com/33724660
1992. National Video Center. NYC.
One day Mark Pellington called and said he wanted to come over and play 2 songs for me that he would be directing Music Videos for. I could choose which one I wanted to edit. I had been working with Mark for a number of years while he was a writer/producer/director at MTV and he had made the transition to full time director by this time. The songs were “Beautiful Girl” by INXS and “Jeremy” by a new band called “Pearl Jam.”
After listening to both songs I decided on “Beautiful Girl.” INXS was huge at the time and I had not heard of Pearl Jam nor did I think they were going to be very popular. (When I was a kid I also though that “The Dave Clark 5” were going to be bigger than “The Beatles”)
The song was written by INXS composer Andrew Farriss about how wonderful having a newborn daughter was. It was basically a love song to parenthood.
Mark was always challenging preconceived notions in popular culture and this Video was not going to be an exception. He intended the music video for “Beautiful Girls” to call attention to the increasing cases of anorexia in young girls. Mark remembers, “Michael Hutchence and his girlfriend at the time, supermodel Helena Christenson, were supportive. (it was) ironic because the video bashed models and the entire culture of dismorphia, female body image etc.”
The footage of the band was shot in London by Nick Evans shooting multiple exposures in camera. The 7 layers were created by back-winding the camera on one roll of film. Mark shot the girls or as he said: “real girls- not models” with Christophe Lanzenberg in NYC.
The edit was very straight-forward. Mark had great footage so very little editorial trickery was needed. Straight-cuts and juxtaposing his iconic footage alongside text got the message across very effectively. We did some layering of footage and also used the Abekas A62 to loop sequences. We also shot some magazine tear sheets under the title camera. The opening 40 seconds of the song has no lyrics and no drums so I used the single-note piano line to create a rhythm. It looks a little out of sync here because I got the video from YouTube but I assure you it was not.
The Video was nominated for a Grammy award.
Mark’s “Jeremy” Music Video won four MTV Video Music Awards in 1993, including Best Video of the Year, Best Group Video, Best Metal/Hard Rock Video and Best Direction. And “The Beatles” are still bigger than “The Dave Clark Five.”
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